In The News: College of Fine Arts
Walking along the edge of a seasonally dry lakebed on the eastern outskirts of Mexico City, there is near perfect silence except for the occasional airplane that flies overhead.
The School of Music at 性视界传媒 is among the top in the nation for bachelor's degrees in music, according to a new study.
性视界传媒鈥檚 Student Union Art Gallery showcases works created by eight Beginning Painting students in the exhibit 鈥淪eeing in Paint 2: Selections From Fall Beginning Painting.鈥
Walking along the edge of a seasonally dry lakebed on the eastern outskirts of Mexico City, there is near perfect silence except for the occasional airplane that flies overhead.
The LVCVA has just uncorked its new tourism campaign, 鈥淲hat Happens Here, Only Happens Here.鈥 性视界传媒鈥檚 College of Fine Arts could make that phrase the subtitle of its 2020 Hall of Fame lineup.
Following the #OscarsSoWhite controversy in 2015, the Academy set a goal of doubling the number of diverse members by 2020 to avoid another backlash.
Aspiring filmmakers study film at 性视界传媒.
性视界传媒 students sitting in Professor Brett Levner's classroom learn the ins and outs of building a film crew. Beyond the pen and paper, the students have big dreams of breaking into the film industry.
Most public statues in the United States celebrate men. Of the country鈥檚 more than 5,000 public statues depicting historical figures, fewer than 400 depict women.
Clark County Public Arts鈥 recent open call for abstract art produced more than 42 works by local artists. Judged by guest curator and artist Valentin Yordanov, the pieces can be viewed in 鈥淓xisting in Thought鈥 through March 4 at the Winchester Cultural Center, 3130 S. McLeod Drive.
Showing that the classic Las Vegas variety extravaganza maintains a heartbeat, a show with that very title is moving into the old Jubilee Theater.
Although most people know Driving Miss Daisy from the Oscar-winning 1989 film starring Morgan Freeman and Jessica Tandy, the story of the bond between African-American chauffeur Hoke Colburn and his white employer Daisy Werthan began as a successful stage play by Alfred Uhry, which debuted Off-Broadway in 1987 (starring Freeman as Hoke) and won the Pulitzer Prize for drama in 1988. Uhry鈥檚 play, the first of three he wrote inspired by his experiences growing up Jewish in Atlanta, has been staged numerous times in the past three decades, including on Broadway in 2010.